Tony-nominated actors perform scenes from their shows out of costume but in character.
Experience the frenzy and interconnectivity of backstage at the first show at Lincoln Center during New York Fashion Week.
An animated explanation of how banks use securities lending to make a profit, while their customers cover the losses.
Reporter Corey Kilgannon, Marcus Yam and myself chased calls over a police scanner for around 16hrs straight. What we found wasn’t what we expected.
Eli “Paperboy” Reed performs the title track from his new album and a proof of concept video from artist Gretchen Witt.
Bounce is a raunchy, local hip-hop style that developed in the 1990s but is only now escaping its hometown with the help of some unlikely stars.
The use of motiongraphics/animation is still pretty new at The New York Times. We’re still figuring things out, but I thought it might be useful to some to see what our work flow is like.
More video work for The New York Times using the Canon 5D Mark II camera.
We interviewed about 50 people for the piece but could only use a fraction of them, and how to sync audio with 5D Mark II footage
A few people have been asking me how the LENS Blog on The New York Times site came to be and what software it was built on. I thought I’d shed a little light on the development process and answer some of these questions.